
Keiichi walks toward the front door, moves to grab the door handle, but he then withdraws his hand quickly.
He stares at it, sweating. Sudden very loud knocking breaks the silence, and he recoils in fear. He quickly brings down the chain lock. Still pounding on the door, Rena repeatedly calls to him to let her in. He stammers her name, and she replies that his mother called her to bring him dinner. He again stammers the lie that this is the first time he heard of this. She continues to pound on the door as she declares that she made a lot of food so they could eat together, and begs him to let her in. Keiichi swallows. He tries to lie that he cannot eat so much, and his fever has killed his appetite. Undaunted, Rena continues her pounding and attempts to open the door as she insists that the food is delicious and contains nutrients he needs to recover from his cold. When he agrees but still does not open, she starts to whine for him not to be "mean" to her and just let her in. Keiichi pauses and asks himself why he is so unsure. Outside, Rena continues to whine asking why he is being to mean to her. Keiichi urges himself to remember what Rika told him. He tells himself that he is making Rena into some imaginary monster. As the music crescendos, he imagines her opening the door until stopped by the chain and peering in at him.
Keiichi screams, grabs his head, then suddenly experiences a flashback of bludgeoning Rena with the metal bat. Back in the present, he gasps her name, then remembers Rika telling him that she knows he can win.
He walks toward the door, removes the chain, unlocks it, then opens it. Rika looks surprised then appears to enter Cute Mode as she excitedly notes that he finally let her in. As she says his name, he walks towards her, then embraces her to her shock. She stammers asking him if he is that hungry.
Inside, the lights come on revealing the living room. Off screen, Rena thanks him for letting her in, and he responds that she is welcome. He encourages her that they are alone. This makes her definitely enter Cute Mode that borders on Take Home Mode. He interrupts her to pleasantly observe that she brought a lot of food. He admits that without her he would have had to rely on instant ramen. She eagerly replies that she can get everything ready for him and asks if she can use his kitchen. He starts to reach for her wrapped box offering to help, but she turns away bubbling that she can handle it herself.
Keiichi sits down to watch television as he waits for Rena. He calls out to her that she must be good friends with his mother if she asked her to do this for him. Inside the kitchen, Rena drops a heavy bag on a table then starts to unwrap her box as she responds to Keiichi that she and his mother always run into one another at the grocery store. Her eyes are shadowed as she chirps her pleasant response while separating the box into its component individual trays.

Keiichi asks when she says "grocery store," does she mean the Seven Mart.
He pleasantly notes as he watches a quiz show that he has never seen her there. As Rena unpacks twine and a saw, she responds that she has seen him buy the instant ramen there: "you like ginger pork flavor, right?"
Still watching the show, Keiichi pleasanty suggests that if Rena saw him in the story, she should have greeted him. He rises just as the host of the show says, "next question." He switches the channel to a cop drama. One detective asks another if there are any clues as to who killed and dismembered the victim. This causes Keiichi to pause. He switches off the channel, then calls to Rena that he should apologize to her. When he asks her what for, he explains that he said things to make her mad. He walks towards the kitchen as he states that he now realizes that it is a subject that she does not want to discuss.
When she asks again for clarification, he walks in talking about the murder only to see her scratch her neck deeply and draw blood. She smiles at him.

As she continues scratching, she explains that she has to protect
her father.
She will kill him, and then she will disappear. Excited, she declares that they will be the ones Oyashiro-sama will curse this year. He asks her what she is talking about then sees her impressive array of tools on the kitchen table. She grabs a knife with her left hand and reiterates that she will kill him, then she will be demoned away and disappear. Then her father can live in Hinamizawa in peace.
As she starts to stagger towards him, he spies a golf club. As he warns her to stand back, she continues that she is already under Oyashiro-sama's curse. She springs at him; he deflect her blow. She falls back to strike the table with her back which causes the twine, saw, and a box to fall to the floor. She makes a viscious swing that sends his club flying away. She chases after him, cuts his cheek when he turns, then knocks the clock radio to the flow with another swing. She pursues him while laughing maniacally.
He brings his arms together, rushes her, and sends her backward. She drops her knife as she impacts a table with her head. She seemingly falls unconscious under the table.
Failing the first rule of horror movies, he approaches her calling her name. She, naturally, comes alive, grabs the knife, and drives it into his right chest. She leaps on him and repeatedly stabs him in the chest and belly as he screams in a fashion and severity that When They C ry Wiki suspects means the authors never studied basic anatomy. While thusly being punctured and covering the floor, walls, ceiling, and Rena with his blood, Keiichi grabs the clock radio and slams it into Rena's left temple. This seems to stun her a bit, but after she cackles maniacally, she resumes her exploratory laparotomy of Keiichi disappointingly censored in the release with abandon. Taking exception to this, Keiichi repeatedly strikes her on the side of her head with the clock.

After a Fade to Black, the scene reveals blood dripping from the table, then the two lying on the floor in their respective pools of blood of a capacity that compels
When They C ry Wiki to suspect they never bothered to look up the average human blood volume.
Nevertheless, neither Rena nor Keiichi move. The only sound is that of the blood dripping onto the floor from the table. . . and walls. . . and ceiling. . . and pretty much everywhere else. Keiichi lies still with his eyes open. Tears well in both of them then run down his cheek.
Fade to Black.
Keiichi's vision returns as he sees florescent lights above him. He hears his scream his name and his father declare that he will get the doctor. He starts to ask, "did . . ." but his mother interrupts him to tell him it is fine and he should rest. He continues his question: "Did I kill . . . Rena?" His mother sadly tells him that he does not have to worry about anything now. His father rushes from the room calling the doctor. Keiichi closes his eyes as the scene fades.
He opens his eyes to see Ōishi staring down at him. He greets him and asks if they may have a "little chat." When Keiichi agrees Ōishi sits on a chair beside the hospital bed as he promises to keep it short. He asks him if he can tell him what happened. Keiichi confesses, to Ōishi's surprise, that he is not srue that he can. When Ōishi asks if this means Keiichi cannot remenber, Keiichi calmly insists that he remembers everything: "How it felt to hit her. . . ." As Ōishi closes his eyes, Keiichi continues that that is why he cannot explain it to him. Becoming disturbed, he declares that he cannot explain to him how or why it happened as tears start to flow. Ōishi stands and promises to visit him again.

As a single higurashi c ries as it clings to a tree, the scene shifts to a fruit basket on a tray.
Mion happily greets him with the traditional "long time no see" greeting, then jokes that it has been years. Keiichi asks if it has been just two days. Less bubbly, Mion confirms that it has been. She then looks sad as she explains that she wanted to come to visit sooner, but a lot of things have happened.
Keiichi asks if he may ask her something and will she answer.png.png truthfully. When she agrees, he asks her what happened to Rena. She looks down as he explains that his parents and others will not tell him. She admits that they could not save Rena, but then insists that it was a miracle that they could save him. Keiichi looks at his hands.
"But it wasn't just Rena," she continues. She starts to say that a day after the incident, "Rika-chan and Satoko, . . ." Shocked, Keiichi asks what happened. Mion explains that after the incident someone went to their house at the shrine and found them both killed with the same knife. The scene shows the knife on the floor with blood on it and around it. As the scene shows the bodies of the two, Mion says that they were both repeatedly stabbed in the neck. When Keiichi asks why would someone do that to them, Mion responds that the police think it was either a murder or a suicide. Even Keiichi wonders why they would kill themselves. Mion admits that she does not know which is why she feels it is more likely that their murders resulted from somelthing liek a robbery.
A cart roles on the floor, and a nurse enters stating that it is time for Keiichi's check. Mion rises and takes her leave. Smiling, she encourages Keiichi that given what happened to everyone else, he has to get better. Keiichi stares at her as she leaves.
The nurse places a syringe on her tray next to scissors, forceps, and rolls of tape.
She states that she would like to ask him about his symptoms before they start. When he asks "symptoms," with her eyes obscurred, she asks him if his neck feels itchy. This surprises Keiichi, who suddenly recalls, without sound, Rena scratching her neck deeply. As the higurashi c ry, he reaches for his neck, digs into it, and screams as the scene quickly pans to the sky.