s04e11 title.png
Caption1 Higurashi no Na ku Koro ni Sotsu (ひぐらしの な く頃に卒)
Season Fourth
Arc Tatariakashi-hen
Episode 5
Season episode 11
Anime episode 96
Ename Curse- Revealing Chapter Part Five
Rname Tatari aka shi-hen Sono Go
Jname 綿 明 し編 其の五
Writer Naoki Hayashi
Director Keiichiro Kawaguchi
Date September 2, 2021
Prev Curse-Revealing Chapter Part Four
Next God-Entertaining Chapter Part One
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Synopsis

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Arg!

Prologue

As a recapitulation that the conclusion of the previous episode, blood splashes the ceiling light. Satoko methodically batters Teppei's head with her brother's bat. She generates the Typically When They C ry Volume of Blood Greater than the Human Blood Volume™upon the surrounding area. Seemingly exhausted with her exertions, Satoko pauses, then feigns shock at her blood-soaked appearance. She calmly leaves the room, walks down the hallway, then enters the bath where she showers off the blood as she hums to herself.

Outside her home, the higurashi c ry as Rika approaches. She pauses for a moment seemingly uncertain. Inside, Satoko smiles as she dons clean clothes. She is startled by the doorbell ringing. With her eyes blazing, and her incisors prominent, she sarcastically compliments Rika on her timing. Outside, a nervous Rika waits, but she hears what seems to be an excited Satoko assuring her that she will be right there. s04e11 tidy up.png Satoko runs down the hall and opens the door to the happy Rika who announces that she is here to pick her up, "Nipaa~!" Satoko, matching her cuteness, replies that she is ready, and then she eagerly remarks that this is the night of Watanagashi. With Kawaii's music taking a particularly somber turn, the scene focuses on Satoko's bloody footprints on the floor of hallway as Rika asks if her house is still dirty and if she needs help cleaning it up. As Teppei's blood still drips from the ceiling light, Satoko assures her that that will not be necessary. The scene focuses on his dead face then body as she adds that it is only a "little (少し・sukoshi)" bit in disarray.

First Half

The scene opens with a view of the torii of the Furude Shrine followed by an overview of the festival. Satoko formally apologizes for keeping them waiting. The voice of Rena quickly enters Cute Mode as the scene reveals Rika and Satoko. She then adds with concern that the "coach" told her that Satoko was supposed to stop by the clinic for her check-up, but Satoko refused. Satoko triumphantly confirms this as she declares herself fit. s04e11 hold it right there.png The scene reveals Mion standing with her sister with Keiichi and Rena behind them on the stairs to the shrine. Mion bends and points at Satoko as she teases her that she was scared to spend the night in the clinic by herself. Rika cutely giggles that Satoko cannot fall asleep without her in bed with her. In full Cute Mode™Rena rushes ahead and excitedly asks what that is suppose to imply, "かな!" Shion slyly starts to make a suggestion to Rena, but Satoko firmly interrupts with a finger pointed to Rena's face. She claims she would have listened to her, but she demands to know what type of person Shion takes her for. They all laugh at her joke together.

Keiichi startles a bit when Rena confesses that she thought they would never get back these "happy, fun times" back. He brightens and assures her that they have. Mion take charge by declaring that since this year they have Keiichi and Shion they will unleash the "Watanagashi Six-Demon Battle Royale." Shion vows that she will not hold back. Keiichi confesses that he does not know what it is, but he is ready for a battle. With a view of the torii, Mion announces that the rules are simple: whomever has the most fun wins.

The group makes their way between the stalls. Rika stops to watch her friends continue. In her Adult Voice, she address Hanyū, who appears in her imagination in the Realm of Time Fragments. She smiles as she muses that even if Hanyū cannot be with her and see these happy moments, as the scene pans her friends eating treats from the stalls, then playing games in a montage, they managed to win. As she thinks that, a man calls out to Satoko. Satoko smiles and blushes as Rika continues that they were able to change their tragic fate.

The scene focuses on a pile of bedding on a table as the Watanagashi ceremony begins. As Rika starts her dance, she continues to address Hanyū. She assures her that she does not need to worry since they have escaped this dead end, and they can create their own miracles. She dances and strikes the bedding, and the scene shifts to the temple in the Realm of Time Fragments. Hanyū kneels with her hands clasped. The scene returns to Rika striking the bedding. As they watch, Satoko takes Keiichi's hand. He looks down at her and reminds her that the ritual is only starting. For her part, she looks down with a sad expression. She turns to him, smiles, then leads him away to his surprise. Mion, behind them, notices this. With a slight blush, she laughs and declares Satoko a "sly devil."

s04e11 puppy eye satoko.pngAt the observation point, Keiichi asks Satoko why she led him there. She replies that Rika told her everything. Embarrassed, he insists that it was nothing since they are friends. She clasps his hand with hers as she formally thanks him for everything he has done for her. She apologizes that she has one more favor to ask of him. "Would it be all right," she asks, "if I called you 'Nii-Nii?'" Keiichi initially asks in surprise if that is the nickname of her, but Satoko interrupts him to ask if he does not like the nickname. As she looks up at him with "puppy eyes," he relents, and she brightens and declares the matter settled. She hugs him as she calls him "Nii-Nii."

Keiichi blushes. Satoko releases him and tells him that there is something she wants to give him. She turns away from him and explains that it was something very important to her "Nii-Nii." Now that he is her "Nii-Nii," she wants him to have it. Keiichi accepts this. Satoko confesses that she feels embarrassed that anyone may know about this, then she walks away as she instructs him to follow before the others notice their absence.

The scene follows their departure and then scans across the driver's side door of Ōishi's car. His right index finger taps the steering wheel, and his eyebrows raise and lower with the taps. His right hand then fishes for his cigarettes. He pulls one out with his mouth as he sweats. He struggles, in vain, to ignite his lighter. With a swear, he tosses it and the cigarette on the passenger's seat. He reaches up to continue his expletive to demand why it has to be so itchy as he scratches at his neck. He perseverates "itchy," until the sight of Satoko walking with Keiichi towards her home startles him. As he focuses on Keiichi, he inwardly demands to know, "What's this? You again, Maebara-san?"

s04e11 foreshadowing.png Satoko slides open the door, steps to the side, and invites Keiichi inside. When he seems hesitant, she chides him that this is his house too, "Nii-Nii." Keiichi complies and asks her to confirm that her uncle was arrested. As they walk through the dark hallway, she assures him that he is correct and they are alone. He asks her what is the thing she wanted to give him; she sweetly tells him to wait there as she shows him an open door to a room.

He enters the dark room and feels around for a light switch. He sees the cord hanging from the ceiling and moves towards it. Meanwhile, a hand picks up the bloody bat from the floor. Keiichi reaches for the cord, and Satoko, with blazing eyes and a smile worthy of a photo for an episode infobox, stands read holding the blood-covered bat. The scene focuses on her mouth.

"Rika," she says. s04e11 satoko's gift.png] The scene shifts to the river where Rena and other villagers place their cotton balls into the water and watch them float away. Satoko continues her monologue: "This is the end of your little miracle." Both Shion and Mion bow slightly as they stand from the banks, with a happy Rika standing behind them. Rena stands, and Satoko's voice continues to explain that now is the time, as the scene shifts back to Keiichi pulling the cord to illuminate the room, for her despair. Keiichi is shocked by the appearance of the room. However, before he can react, the bat strikes him across the back of his head. He falls to the floor to see Teppei's corpse. He stands screaming, but the bat comes down on his head. Giggling, Satoko pursues him, striking him repeatedly in the head, until he falls with his head on on Teppei's corpse. Satoko kicks his body to the side, and remarks that she will now leave it to "Ōishi-san" as she drops the bat next to Keiichi's left hand.

She plodds down the corridor to the front door. She falls to her knees and starts screaming "No!" Outside, Ōishi startles and rushes from his car. He opens the front door to reveal her crouched, holding herself, and covered with blood. He asks what happened and whose blood it is. She does not answer.png.png, and he asks where Keiichi and Teppei are. She continues crying; he reaches up and scratches his neck. Declaring this pointless, he angrily removes his shoes and enters the house. Alone, Satoko stops crying, looks back in the direction of Ōishi, and smiles.

Second Half

Along the corridor, Ōishi notices Satoko's bloody footprints she created when she left the room and walked to the front door. He enters the room and sees the carnage. He asks, "this is. . . ." and Satoko approaches him from behind and explains that Keiichi did it and claimed that it was the curse. Ōishi quickly demands to know what he meant by "curse": "Did he attack Teppei because he's an enemy of the village?!" She does not answer.png.png. He grabs her by the shoulders and declares that if she is trying to protect Keiichi then she is just as guilty. He then reaches his next and curses how itchy it is. s04e11 ōishi concludes.png Satoko calmly responds that Keiichi came to her during Rika's dance. This startles Ōishi, but he continues to dig at his neck. She looks away and continues that Keiichi grabbed her by her hand and took her away from the shrine. She claims, as the scene focuses on dead Keiichi's face, that she told her that they needed to go to her house and talk. Still scratching and now sweating, Ōishi asks if she means that it was Keiichi who invited himself over to the home where the enemy lives. He quickly concludes that someone must have told him to do it. The scene pans over both Keiichi and Teppei's bodies as Satoko claims he suddenly started screaming that he was her "Nii-Nii," and then grabbed her brother's bat from his room. Excited, Ōishi declares that this is the same brother who went missing due to the curse: Hōjō Satoshi. "It is all connected!"

As he celebrates his revelation, Satoko calmly continues that Keiichi attacked Teppei with the bat, but he grabbed the bat out of Keiichi's hand. The scene shifts to her imagined recreation of the incident. She claims that she tried to stop them. In her imagination, Teppei kicks away Keiichi, who is bleeding from his head. She continues that Teppei was enraged at Keiichi getting the Child Welfare Services involved. However, in her imagination, Keiichi raises the bat again, strikes, and her face is splashed with blood. She claims that nothing she said could get through to her uncle. Meanwhile, Teppei falls to the floor. She claims that Keiichi did not give up, and he kept fighting her uncle as, in her imagination, he falls to his knees then upon Teppei's body, then roles over himself as the sound of kagura suzu bells. With a focus on their bodies, Satoko continues to claim that she could have stopped them if she tried harder. s04e11 oyashiro-sama curse.png Still scratching at his neck, Ōishi interrupts her to demand what else Keiichi said. This surprises Satoko, but Ōishi roughly grabs her by the shoulders and demands to know what he said about the curse. She feigns thought then realization and declares that while he beat her uncle, he kept saying something: "This is Oyashiro-sama 's curse!" Ōishi laughs in satisfaction. He declares that those responsible used Keiichi as their pawn. For her part, Satoko observe with a decidedly bored expression. He continues his declarations that they must have asked him to carry out the curse to prove his loyalty as he paces around the bodies.

With satisfaction, he picks up the bat and declares it the solid and undeniable proof. He calls out to his dead friend that he has finally found the connection between the curse and The Series of Mysterious Deaths. Satoko calmly observes his soliloquy. He ultimately resumes scratching at his neck as he encourages himself figure out who could order such. Non plussed, Satoko sarcastically remarks that she is very happy for him. She then asks him how his neck is feeling. She turns to her and replies that is it very itchy then curses that he was just about to have the answer.png.png. He then repeatedly screams about the itchiness.

"My condolences. You must be entering the final stage," Satoko calmly offers.

Paying no attention to her, Ōishi grabs Keiichi's body by his shirt, pulls him up, and demands that he reveal who gave the order. Picking up on this, Satoko "wonders" who would tell someone to do something like this. She feings a startled realization as she claims Keiichi mentioned names. "No," she continues, "she would never. . . ." s04e11 ōishi delighted.png Ōishi drops Keiichi's body. Under a bit more control, he walks to her and asks what Keiichi said. He kneels on the floor to bring himself to her level. He places his right hand on her left shoulder as he encourages her to remember. She smiles. As the music turns onimous, she replies that Rika told him to do this. Glistening with sweat, an excited Ōishi repeats, "Furude Rika!" She initially watches without emotion as he babbles that Rika is part of the The Three Great Families, and the Furude Shrine would of course carry out the curse, then smiles with satisfaction. Ōishi stands, holding Satoshi's bat, and declares that he has connected all of the pieces and finally has all the proof he needs.

Satoko watches as he rushes out of the room with the bat, runs down the corridor, and leaves her home. Alone, she starts to laugh: "Now, please go and shatter Rika's heart into pieces!" With a view of her eyes blazing, she concludes: "Oyashiro-sama 's dear familiar."

The scene shifts to a number of men under a tent eating, drinking, laughing, and conversing. Shion, Mion, Rika, and Rena stand facing the same direction. Rena notes that it appears that Keiichi and Satoko have not returned yet. Mion closes her eyes and confesses that "uncle" better head home soon as well, or else "Granny" will force her to talk with her relatives. Shion smiles, turns, and tells her sister that she will go with her. Meanwhile, Rika walks from them towards the sound of the adults as Shion explains that she will stay in the guest house.

Two of the men see Rika, still dressed in her miku robes, and greet her. They ask her if anything is wrong, and she asks them if they have seen Tomitake. She suggests that they might have seen him with Takano. The one with white hair replies that he may have seen them near the parking lot. The scene shifts as he replies to Satoshi's bloody bat dragged along the ground. As in the Question Arc, Ōishi approaches with a wide grin and his eyes in shadow. The men and Rika react to him approaching. He replies with a laugh. The scene focuses on his blood-shot left eye as he declares that he has been looking for her: "Furude Rika-SAN!"

With the emphasis on the honorific, he tosses the bat in the air and then grabs her by the throat with his right hand. Men demand to know what he is doing and if he is drunk. Struggling, Rika asks, "why?" Rena, Mion, and Shion appear. Rena shouts Rika's name, and Mion asks what he is doing. Ōishi turns to them and declares that he has solved the mystery. The two men Rika approached rush up to Ōishi and demand that he come to his senses. He responds by shooting the one with dark hair, whose blood sprays on Rika's face. The man with white hair panics and starts to withdraw.

s04e11 eua.pngThe scene cuts to the face of Eua as she raises a tea cup to her lips. She takes a sip, then returns the cup to its saucer on her table. She looks up. A fragment contains the now dead villager. She giggles and declares that she is such delightful entertainment, "child of man."

The scene returns to Mion approaching Ōishi from behind as he scratches at his neck with his right hand. She holds her arms out as she calls to him. She offers to listen to him as the next head of the Sonozaki family, if he will only let go of Rika. He arches his head back, smiles, and asks, "what?!" as he points his gun at her. Rika, now held in the crook of his arm, screams in protest. s04e11 shion reacts.png With lightning speed, Shion pushes the gun back. Rika falls to the ground, and Shion's voice is heard telling her sister that this is her chance to get Rika. Her words are stopped by his foot kicking her to the ground as he demands that she not interfere. He points the gun at her. The screen splits to show Rika on the left, and Mion on the right. Mion runs calling her sister's name. Rika, in her Adult Voice, quietly says, "stop."

Satoko makes her towards the scene. She hears a gunshot and smiles. She looks up at the steps towards the shrine and sarcastically declares that it is getting lively.

Mion slows her run. She looks shocked as she protests. With tears in her eyes, Rika begs it to stop. Villagers drag Rena away as she screams Shion and Mion's names. Mion commands Rena to look after Keiichi for her.

Ōishi dramatically shoots her in the head.

Rena screams.

Laughing, Ōishi picks up Rika by her head with his right hand. On the ground next to her lies Shion. He picks her up, dangling her over the ground, and points his gun at her. Off-screen, Rena calls her name and begs Ōishi "don't!" He ignores her pleas, looks at Rika, and demands that she confess and tell him the truth. Rena begs him to take her instead. Rika looks at Shion's body, then Mion's. In her Adult Voice, she asks how this perfect world could end like this. Ōishi places the barrel of his gun against her left temple and asks her what she said. She replies that she said nothing and tells him to end it. Enraged, he starts to repeat her words, but she cuts him off by insisting that she will not reveal the secrets of the curse. She taunts him that he will die knowing nothing. Cursing her, he tosses her to the ground. He picks up the bat and begins to strike her on her head while demanding her to talk. Eventually, Satoko appears behind him smiling. She approaches him, and Rena orders her to stay back. Satoko ignores her, continues approaching, and sarcastically asks if he is still not finished. She then insults his efforts. This stuns Rena. Ōishi also stops and reacts with a "what?" As she stands in front of him, he declares that he now understands: she was the one behind it all. s04e11 satoko correct.png] "Yes, that's correct." She then promptly draws her gun and shoots him in the forehead.

In slow motion, he falls backward as Rena reacts. He hits the ground and dust rises about Satoko's ankles. She walks forward, looks down, and asks, "Rika, Are you quite dead?" Rika's eyes are open. Satoko crouches down and explain that if she is still alive she cannot travel to the next fragment with her. She continues that there is one way to ensure that Rika is dead. She places the barrel of her gun on Rika's forehead. Scene shifts to focus on Satoko's face as the shot illuminates her. With a satisfied smile, she declares that she now knows Rika is dead.

Holding her face, Rena whimpers, "S-Satoko-chan?" She falls to her knees crying. Satoko turns to look at her. She stands, looks back down at Rika as she places her gun to her right temple, then declares, "I won't let you escape just yet, Rika." The scene then focuses on Rika's face as Satoko continues, "until you accept your happy future with me in Hinamizawa." Rena hold her head. Tears stream from her mad eyes. Satoko continues, "I will never, ever, let you escape. That's for certain."

Her hand raises and she snaps her fingers as the scene fades to black.

A shot rings out. s04e11 hanyū prays.png The scene resolves on Eua's smiling face. She breaks into continuous laughter. When she gathers herself, she turns to look to her left as she asks, "whatever will you do about this?" The scene reveals that she is staring at a fragment in which Hanyū prays with her eyes closed. She continues to ask: "Whatever can you do when you cannot even view the fragments, O Pitiful Failure?" The scene focuses on Hanyu's eyes. Tears well up between her closed eyelids. She opens her eyes as the scene fades to white and the end titles commence.

Post-End Titles

Adult Voiced Rika announces the new arc and first episode.

Characters

In order of appearance

Referbacks and Forwards

  • "I Hear You Paint Houses": this is an obvious continuation of the previous episode.
  • "Dirty!" When They C ry Wiki offers a Hanyū-chan creme puff to any who recognize the reference. Meanwhile, Rika would assume that Satoko's home is a mess given what she knew of Teppei's behavior and treatment of Satoko in past fragments. She has no experience of the changes Teppei underwent. Nipaa~?!
  • "Put the H-173 in the Coconut!": in this usual timeline, Satoko undergoes treatment for Hinamizawa Syndrome.
  • "Not . . . that There's Anything Wrong with It!": All jokes aside, from the Sound Novels to the anime, the characters make sexual references and jokes from Ōishi suggesting that Keiichi "two-times the Sonozaki Twins" all the way to Takano playfully scolding Shion and Keiichi that she and Jirō are not doing anything they would want to watch. There is even a tease during "gym class" where Keiichi is thwarted by getting a bon . . . er . . . presenting his Credentials which Satoko does not quite understand. Which all makes Mion's subsequent assumption that Satoko is leading Keiichi away to . . . to . . . When They C ry Wiki does not even . . . all the more interesting. In previous Question Arcs, Mion triumphantly notes that her sister's attempts to flirt with Keiichi at the festival failed.
  • "A Lady Never Tells": Despite the above, Satoko never brings up such subjects. She effects the manners of a "proper lady," which Rika ultimately mocks at St. Lucia, and playfully scolds the others for their behavior. When Keiichi rescues her from her bath in ARC/EPISODE she becomes very uncomfortable being semi-naked around him. Here, she seems to feign concern that the others will suspect something is happening between them, which Mion does.
  • "It's Jamais Vu All Over Again!": with all due respect to "Arg!" in the Question Arc's base EPISODE, Teppei does seem to attack Keiichi as Satoko now describes and appears to recall. Similarly, the ending is different. This suggests that Satoko has worked this particular time fragment arc before.
  • "For Whom the Kagura Bell Tolls": their use is a reference to the next arc, which is Arg! Spoiler That Be! Arg!
  • "You Know What I Want! You Know What I Need!": throughout the arcs, Ōishi has labored to find proof necessary to arrest those he believe are responsible for the death of his friend. Satoko's ruse plays into this desire.

Trivia

  • "Guns! Guns! Guns! Come on, Sal!": oddly enough, despite their training, Shion and Mion hold their weapons completely wrong as shown in the Gallery. Only Rika and Satoko attempt to hold their weapons steady. The Twins follow the "Hollywood" method of holding guns, with Mion "pointing" her rifle at the target as if that matters! When They C ry Wiki offers this video from a female [world - Ed.] quick-draw champion who discusses that very issue of "point and shoot" at 10:50. Those who continue will see her criticism of a scene from the movie When They C ry Wiki used as a "place holder" when creating this page.

Cultural References

  • 神楽 (kagura): Shinto for a god. The Wiki link's description's first paragraph may be a Spoiler – Arg! – for the following arc. Clicky at ye peril! Arg.
  • Battle Royal: if anyone requires the explanation. Though comparisons may be made to the influential book and subsequent movie, these were published and created after 1987.
  • Master: Ever seeking completeness for the commonweal, When They C ry Wiki searched to see if there is a basis for Ōishi's brand of cigarettes. There are many "Master" brands that may just be a generic used to sell cigarettes. Most links go to commercial links which When They C ry Wiki will not post for obvious reasons. Stay tuned.
  • Kagura suzu (神楽鈴): the ritual bells heard in many an anime, including at the beginning of the relatively unknown title theme from a composer not well known of a very minor work involving a woman who has most of her body replaced by robotic enhancements. . . . As noted, their use is an Arg!

Memorable Moments

  • "Sorry to Make You My Pawn!": Satoko beats Keiichi with Satoshi's baseball bat on the head three times so that he collapses to make it appear like he fought Teppei to the end.
  • Rashomon: Satoko's description does not fit her imagined recreation which appears to be from one of her previous existences.
  • "Shooting with Style!": Satoko kills Ōishi after he batters Rika with the baseball bat. She then shoots her to confirm her death then commits suicide while the despaired Rena watches on.

Quotes

  • "Oh goodness me!" – Hōjō Satoko
  • "I get it! You were scared to spend the night there by yourself, huh?" – Sonozaki Mion to Hōjō Satoko
  • "After all, Satoko can't fall asleep without me in bed with her." – Furude Rika to Mion
  • "Come on now, don't be a stranger! After all, this is your house too, Nii-Nii!" Satoko to Maebara Keiichi
  • "Soon! Soon! I'll be able to come to your grave and tell you the truth!" – Ōishi Kurado
  • "So, Detective, how is your neck feeling?" – Satoko
  • "How could this perfect world end like this?" – Rika

Gallery

s04e11 excellent timing rika.png
'''Shown:''' Excellent Timing
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'''Shown:''' Satoko with a Decidedly Bored Expression
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'''Not Shown:''' How to Hold a Gun
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